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(This is the first English report on The Fat Years -- Chinese Title: "Shengshi: Zhongguo 2013")

2013 Them and Us

Koon-chung Chan's "Shengshi"

by Paul Mooney

South China Morning Post

February 2., 2010

Chan Koon-chung's new book is making waves among mainland intellectuals for its eerily realistic fictional account of a modern, prosperous China - and its veiled criticism of those who buy into it

It's the year 2013 and China is stronger and richer than ever before, while the rest of the world is still reeling from a huge economic tsunami that struck a year earlier. Starbucks is now owned by the Wang Wang Group, and the hottest new drink around the world is longan dragon well tea latte.

The authoritarian, and often ruthless, Communist Party faces no serious opposition and is patting itself on the back for not following the path of the West. Capitalism with Chinese characteristics is thriving and foreigners who once lambasted China over human rights are now afraid to offend China. Most interesting, the majority of the Chinese people, at least the residents of major cities, are enjoying unprecedented fat times, and couldn't be happier.
This is China's future as described in The Golden Age, a new novel by Hong Kong writer Chan Koon-chung, who has lived on the mainland since 2000, spending the last nine years gathering string for this book.

The Chinese title, Shengshi Zhongguo 2013, which can be translated as a prosperous and grand period, has been used to describe the two apogees of imperial history, the Han and Tang dynasties. It's also a term that is appearing more and more frequently in the Chinese media today and which is becoming a daily part of conversations - as a giddy description of present-day China.

While the book was released in recent months in Hong Kong and Taiwan (it's too sensitive to be released on the mainland), it's creating an increasingly loud buzz among mainland intellectuals in China for it's realistic description of contemporary China and its veiled criticism of the growing number of Chinese who have either bought into the system or have been bought by it.
The story is told through the eyes of Lao Chen, a Taiwanese writer who has lived in Beijing for many years, and who shares the strange mass happiness that has smitten the majority of China's population. Or at least he seems quite complacent until he accidentally runs into two long-lost friends, Xiao Xi and Fang Caodi - the only discontented people he's encountered in a long while.
Xiao is a 1980s activist who is frustrated because her former intellectual friends have abandoned the fight against repression in exchange for more comfortable living. "They've changed ..." she tells Lao when they meet. "They've all become so satisfied."
Fang, the son of an early Communist defector, and a drifter, is on a quiet mission to prove that an entire month has been erased from the collective memory of China's 1.3 billion people, with the exception of a small number who seem to have retained their memories -including both Fang and Xiao.
Lao, a successful writer, is a bit disconcerted by the strange claims of his former friends, and he has little sympathy for their cause, until they involve him in the kidnapping of a senior official who spits out the truth about what the government has been doing.
As He Dongsheng comes out of his drugged state, Lao, Fang and Xiao begin to interrogate the official, who is tied to a chair. He willingly describes how trouble broke out in a few places around China following the economic crisis of 2012, and how, according to a secret party plan, the People's Liberation Army, People's Armed Police and police purposely hold back, except in Tibet and Xinjiang , waiting for the chaos to reach a point where the frightened population becomes afraid of anarchy and begs for the government to step in. When the PLA eventually marches into one city to restore order, the people line the streets to welcome it. In an ensuing "strike hard" campaign, the party takes advantage of its popular mandate to wipe out all its foes.
The campaign is so vicious that the government decides to place a new drug into the water system and all beverages, which has the effect of putting the country on a collective high. An unintended plus is that the vast majority of the population has had its memory of the three weeks of chaos completely erased. To be safe, the government has taken advantage of its good fortune - no one honestly knows how this happened - to destroy books and newspapers and to rewrite what's available on the internet.
When Lao visits a book store and asks for books by several famous authors, a search of the store computer indicates the books don't exist. When he confronts the manager and asks about books by Yang Jiang, a famous writer, the manager stares at him, confused, and says, "Which Yang Jiang?"
The Golden Age represents the frustrations of many intellectuals, who previously had high hopes for reform. Chan says that while the party launched huge economic reforms over the past three decades, politically not much has changed.
"In the 1980s there were hopes for constitutional democracy but it's now very obvious that's not the way to go for China," he says, recognising the reality. "A new Chinese-style governance has been established and is accepted."

Chan speaks of a new political model emerging in

China, which he first noticed some time around

2008, and which he describes as "an authoritarian

government with popular support".

The Hong Kong writer says the party has won people

over by showing that it is a strong government

that can guarantee stability, as well as one that

can use resources to do big things - such as help

China's economic development leapfrog the rest of

the world's.

He admits that there are many problems, but adds

that, right or wrong, many Chinese don't see

things this way. Chan tells of a conversation with

a retired official who, brimming with confidence,

told him: "A big country like China of course has

a lot of problems. But there are no problems the

party can't handle now."

Chan says it's only been in recent years that

Chinese have begun to speak about the China model

being better than Western ones. He says that with

the financial meltdown in the West, Chinese are

getting more confident in their "model".

"There's a lot of buying in from the Chinese

public on this," says Chan, who adds that many of

the people he's talked with here are very

enthusiastic about the future. "There may be

structural problems and questions about whether or

not China can go on like this," he says. "But

that's not the mood right now. And this mood is

very helpful to the ruling people."

He says the party has co-opted intellectuals and

scholars and that fewer people today have the

temerity to challenge the government, which he

worries about.

"Many of those who were once critical of the

regime are now part of the system," Chan says.

"The party has absorbed the elites by handing out

funding, positions, and employment. Those in

universities are getting government projects so

they are not as vocal as before - they don't want

to be vocal."

He says that this is not corruption but rather

patronage. "Many people depend on money from the

state to build their careers. So the intellectual

centre is mainly employed by the state."

Chan says that while this has been happening for

years the state is now much richer. "They have the

capacity to attract you with funding and

apparently the funding is unlimited. There's no

end to it."

"There are more people buying into this now," he

says. "It's very difficult to find people to make

a challenge."

And he says that those who are willing to take on

the government "are becoming more and more

marginalised".

"It can be very dangerous if there's no critical

voice," he says.

Chan tried to write about this dilemma regarding

public discourse in a lengthy article in 2005, but

says no one paid any attention. He later decided

to use fiction to get his views across to a wider

audience. He says fiction also gave him more

latitude in describing his concerns.

The book has been well-received on the mainland

with a small but influential audience of

intellectuals, businesspeople and even government

officials. The first modest print run of 3,000

copies sold out in about two months; many of these

copies made their way in via a back door. They're

made available on the mainland through the

internet, where they are classified as second hand

to get around government restrictions on

unauthorised books. Some book stores stock copies,

but buyers would need a contact to be able to

obtain one, says a publisher, who says the book is

not being openly sold.

"The book is hot," she says, pointing out that the

harsh sentencing of dissident Liu Xiaobo , the

problems of Google and other recent incidents fit

the trends portrayed in the novel.

"It's very clear that things are getting harsher

and harsher," she says. The limited copies are

being read by six or seven people, she adds.

One magazine publisher apparently snapped up 300

copies of the hard-to-find book to offer as an

enticement to get people to subscribe to her

magazine.

The book has also been reviewed by some leading

Chinese newspapers, magazines and blogs, although

the writers had to creatively skirt any of the

sensitive issues discussed in the book.

A reading club was set up on Douban, a popular

portal, for people to discuss the book. And

earlier this week an electronic version of the

book in simplified characters (the Hong Kong and

Taiwan versions are in standard Chinese

characters) turned up on the internet and word

zipped around the country, spread by Chinese using

Twitter.

Li Jun, a journalist, wrote on her popular blog

that after reading the book she's devised a new

way to view her friends.

"Starting from today, I have no friends and I have

no enemies," she wrote. "I now divide people into

two categories - those who have read The Golden

Age and those who haven't."

The book appeals to people for different reasons.

Reviewers have labelled the book science fiction

or mythology, utopian and anti-utopian. Several

have made comparisons with George Orwell's 1984. A

better description might be 1984 with a sense of

humour.

The most common comment heard is that the book -

despite being fiction - reflects the actual

situation in China today. Popular blogger He

Caitou said that the absurdities in the novel, "on

the contrary, appear extremely realistic".

"It allegorises everyone's common fate and

tortuously describes the fears that lay deep in

our hearts," he continued.

He concluded that the most important thing about

The Golden Age was that it makes one "believe that

the world described in the book is quickly bearing

down on us".

Readers can also recognise the book's characters

in real people, from Xiao, who wants to fight for

the truth, to the party official who makes a

Hobbesian argument for a strong authoritarian

state, to Wei Guo, Xiao's ultra-nationalist

college son, who thinks that working for the

propaganda apparatus is "romantic".

"We're surrounded by Wei Guos," said one

university student who read the book.

The book concludes with the interrogation of He.

Drinking the drugged water for the first time, and

egged on by a new happy feeling, the senior

official pours out his guts to his interrogators.

"Zhongnanhai [the party headquarters in Beijing]

has its own supply of food and beverages," he

says. "What we drink is different from what you

drink."

He justifies the government's failure to step in

to control the chaos, arguing that only a major

crisis could convince the masses to accept rigid

controls by the government, which he says are

responsible for China's success.

Xiao challenges him. "You say China has already

entered a golden period. Then why can't you rule

the country with law?" she asks. "Do you mean to

say China should not have rule of law? After

ruling China for 60 years, you still can't rule

with benevolence?"

She answers the question for him, saying that the

government doesn't really want political reform

and that all the policies are aimed at making

party members rich through corruption.

When she castigates the party for feeding the

people chemicals without their knowledge, He

retorts, with no sense of shame: "Our party does a

lot of things that the people don't know about.

It's always been that way."

In one of his most telling statements, and a

veiled but barbed criticism of people today, He

denies that the drug also made people lose their

memories. "If the Chinese people themselves didn't

want to forget first, we would have never forced

them to forget," he says innocently. "It was the

Chinese people themselves that took the initiative

to take the amnesia medicine."

By morning, He's captives follow through with

their promise to release him if he tells all. The

accusers seem the worse for the long night, while

He is charged with energy, seemingly having proven

that the party's policies are correct and for the

good of the people. In any case, few people

actually care.

It certainly seems that the Communist Party is

blessed, as He points out.

"It's a pity I'm a materialist, otherwise I'd say

this is the intention of heaven," he says

gleefully.

"It's because heaven wants the Communist Party to

continue to rule. God bless my party."

 
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陈冠中

77篇文章 7年前更新

香港作家。生于上海,长于香港,曾在台湾居住,现居北京。先后就读于香港大学与美国波士顿大学。绿色力量、绿田园有机农场、香港电影导演会等发起人,现任绿色和平国际懂事。1976年创办生活潮流月刊《号外》。曾在90年代中期任《读书》海外出版人。著有小说“香港三部曲”(《太阳膏的梦》、《什么都没有发生》、《金都茶餐厅》)《盛世》、《裸命》,评论集《城市九章》等。

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